The Spectre of Contradiction

Who creates whom?

Michelangelo’s Creation of Adam.

RECAP: As we approach the opening of the (iron?) curtain to Marx’s Capital, we will set the stage by touching upon the work of those that Marx refers to in his magnum opus. Not only should excerpts of related thinkers help show how Capital is expected to be a step up from these, but they should also give a clue as to the power of Capital in highlighting with awesome lucidity the problematic nature of today’s capitalist social relations.

Today, we get closer to the examination of Marx’s Capital because, until now, we’ve presented elements of decor which were rather static: beginning with the worker’s desire, we zoomed out from his psyche and considered the existence of his “human nature”, then zoomed out once again until we saw chains binding him to the figure of the capitalist. In this post, we consider the dynamism of the relation between these two actors, with the help of Johann Heinrich von Thünen (1783-1850):

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Does Capital Feed off of Human Nature?

Arbeit_schändet_-_Georg_Scholz

By Georg Scholz. Source: Wikipedia.

RECAP: As we approach the opening of the (iron?) curtain to Marx’s Capital, we will set the stage by touching upon the work of those that Marx refers to in his magnum opus. Not only should excerpts of related thinkers help show how Capital is expected to be a step up from these, but they should also give a clue as to the power of Capital in highlighting with awesome lucidity the problematic nature of today’s capitalist social relations.

We first presented the status of the worker, focussing on the notion of desire and the role it plays in making a “good society”. In our second element of decor, F.M. Eden curtly describes human nature and gives some advice:

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