The Spectre of Contradiction

Who creates whom?

Michelangelo’s Creation of Adam.

RECAP: As we approach the opening of the (iron?) curtain to Marx’s Capital, we will set the stage by touching upon the work of those that Marx refers to in his magnum opus. Not only should excerpts of related thinkers help show how Capital is expected to be a step up from these, but they should also give a clue as to the power of Capital in highlighting with awesome lucidity the problematic nature of today’s capitalist social relations.

Today, we get closer to the examination of Marx’s Capital because, until now, we’ve presented elements of decor which were rather static: beginning with the worker’s desire, we zoomed out from his psyche and considered the existence of his “human nature”, then zoomed out once again until we saw chains binding him to the figure of the capitalist. In this post, we consider the dynamism of the relation between these two actors, with the help of Johann Heinrich von Thünen (1783-1850):

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The Ethics of Golden Shackles

Golden-shackles

Credits: sallyedelsteincollage.com

RECAP: As we approach the opening of the (iron?) curtain to Marx’s Capital, we will set the stage by touching upon the work of those that Marx refers to in his magnum opus. Not only should excerpts of related thinkers help show how Capital is expected to be a step up from these, but they should also give a clue as to the power of Capital in highlighting with awesome lucidity the problematic nature of today’s capitalist social relations.

Having first focussed on the importance of desire in the status of the working class, we then touched upon the notion that, because of human nature, workers would be comfortable in being dependent upon capitalists for their subsistence. Today, I want to come back to this notion of golden shackles, as it is described by Marx himself:

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Does Capital Feed off of Human Nature?

Arbeit_schändet_-_Georg_Scholz

By Georg Scholz. Source: Wikipedia.

RECAP: As we approach the opening of the (iron?) curtain to Marx’s Capital, we will set the stage by touching upon the work of those that Marx refers to in his magnum opus. Not only should excerpts of related thinkers help show how Capital is expected to be a step up from these, but they should also give a clue as to the power of Capital in highlighting with awesome lucidity the problematic nature of today’s capitalist social relations.

We first presented the status of the worker, focussing on the notion of desire and the role it plays in making a “good society”. In our second element of decor, F.M. Eden curtly describes human nature and gives some advice:

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Should Workers Be Entitled to Yachts?

Poor-man-yacht

Credits: Gizmodo and Chicago Tribune.

The Marxian Matrix is not dead! After a long and difficult hiatus in which we grappled as much with Marx’s Capital as with present-day capitalist constraints, the time has come to set the stage of our engagement with Capital Vol. 1 by touching upon the works of those that Marx refers to in his magnum opus.

Not only should excerpts of related thinkers help show how Capital can be a step up from these, but they should also give a clue as to the power of Capital in highlighting with awesome lucidity the problematic nature of today’s capitalist social relations.

In our first element of decor, Bernard Mandeville about the status of the worker:

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Lay of the Land: Moving on from the Matrix

I feel compelled to add a few words, now that this series is finished, because I know I’ve left some pretty big moments of the movies out of the analysis: How does Trinity “revive” Neo at the end of the first movie? How does Neo deactivate or overload the Sentinels in the real world at the end of the second movie? How, precisely, does Smith get “self-destructed” at the end of the third movie?

And there are others. To my knowledge, Marxian theory cannot explain these scenes and happenings; and this is a good thing. It’s a good thing because Marxists have often used Marx’s theory as an explanation for everything or as a foundation upon which to build a theory that explains everything.

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