Credits: Encyclopaedia Britannica.
That’s the Berlin Wall, on November 10th, 1989. A day before, the East German government had announced, in an infamous press conference, that all Eastern citizens were to be granted passage towards the West, effective immediately. This caused quite a commotion in both East and West Berlin, and eventually, soldiers at the checkpoints gave in and the crowds could move as they pleased.
Michelangelo’s Creation of Adam.
RECAP: As we approach the opening of the (iron?) curtain to Marx’s Capital, we will set the stage by touching upon the work of those that Marx refers to in his magnum opus. Not only should excerpts of related thinkers help show how Capital is expected to be a step up from these, but they should also give a clue as to the power of Capital in highlighting with awesome lucidity the problematic nature of today’s capitalist social relations.
Today, we get closer to the examination of Marx’s Capital because, until now, we’ve presented elements of decor which were rather static: beginning with the worker’s desire, we zoomed out from his psyche and considered the existence of his “human nature”, then zoomed out once again until we saw chains binding him to the figure of the capitalist. In this post, we consider the dynamism of the relation between these two actors, with the help of Johann Heinrich von Thünen (1783-1850):
Credits: sallyedelsteincollage.com
RECAP: As we approach the opening of the (iron?) curtain to Marx’s Capital, we will set the stage by touching upon the work of those that Marx refers to in his magnum opus. Not only should excerpts of related thinkers help show how Capital is expected to be a step up from these, but they should also give a clue as to the power of Capital in highlighting with awesome lucidity the problematic nature of today’s capitalist social relations.
Having first focussed on the importance of desire in the status of the working class, we then touched upon the notion that, because of human nature, workers would be comfortable in being dependent upon capitalists for their subsistence. Today, I want to come back to this notion of golden shackles, as it is described by Marx himself:
By Georg Scholz. Source: Wikipedia.
RECAP: As we approach the opening of the (iron?) curtain to Marx’s Capital, we will set the stage by touching upon the work of those that Marx refers to in his magnum opus. Not only should excerpts of related thinkers help show how Capital is expected to be a step up from these, but they should also give a clue as to the power of Capital in highlighting with awesome lucidity the problematic nature of today’s capitalist social relations.
We first presented the status of the worker, focussing on the notion of desire and the role it plays in making a “good society”. In our second element of decor, F.M. Eden curtly describes human nature and gives some advice:
Credits: Gizmodo and Chicago Tribune.
The Marxian Matrix is not dead! After a long and difficult hiatus in which we grappled as much with Marx’s Capital as with present-day capitalist constraints, the time has come to set the stage of our engagement with Capital Vol. 1 by touching upon the works of those that Marx refers to in his magnum opus.
Not only should excerpts of related thinkers help show how Capital can be a step up from these, but they should also give a clue as to the power of Capital in highlighting with awesome lucidity the problematic nature of today’s capitalist social relations.
In our first element of decor, Bernard Mandeville about the status of the worker:
Berlin Wall. Credits: Googlesightseeing.com
In 1917, the world sees not only the rebirth of the soviet institution, but the birth of the Soviet State. Last time, we finished our story by showing how the principles guiding the birth of the Soviet State proved to be problematic, and we promised we would delve not only into the solutions devised for these problems, but also into reflections on the significance of the soviet as a social institution whose power rendered possible three revolutions, with variable results, in the span of little more than a decade.
On July 10th, 1918, when the first Soviet state constitution is proclaimed, we already see a change from the ideal that has guided the Bolsheviks in their fight to take power: all power to the soviets. Let’s make no mistake and remember that they promised peace, bread and land and, in the initial movement, these three promises were kept. But faced with considerable opposition both from its national constituents (tsarist nationalists, the Orthodox Church, Cossacks, moderate social-democrats) and from foreign armed forces (England, France, Czechoslovakia, Japan and the USA all send foreign troops against the Bolsheviks), the political leadership will institute legislation to maintain its grip on power.
B. Kustodiev’s 1920 “The Bolshevik”. Credits to UK Royal Academy of Arts.
Last time, we explored Russia’s 1905 crisis and revolution, specifically focusing on its specificity: the power of the Petrograd soviet. We ended by saying that social revolt had calmed for multiple reasons, the most important of which was the cancelling of the annual redemptive payments from the 1861 reform and the excellent harvests of 1908-1909. This time, we will delve into the heart of the Beast: Russia, 1917, and the rebirth of the institution that will define the 20th century.
On January 22nd 1905, on a Sunday, the priest Georgy Gapon is leading around a dozen thousand unarmed protesters to present a petition to Tsar Nicholas II. At this point, workers are living in the difficulties we’ve previously described, but the Tsar is still seen by most as the father of Russian people. In this sense, the political consciousness of the workers is very minimally, if at all, developed: they mostly demand better wages and working conditions. There have been a few strikes before 1905, but these movements were rapidly and violently repressed, strike funds were illegal, and mutual aid funds were barely tolerated: whenever industrial entrepreneurs accepted negotiations, they received worker delegates, but as soon as negotiations were done, the delegates were fired and often even arrested.
Still they came to the Tsar, hoping that the father would hear out his flock. However, little time after arriving in the square of the Winter Palace, the soldiers opened fire and the cavalry charged them: from that point onward, the day would be known as Bloody Sunday.
Petrograd/Leningrad/St. Petersburg. Credits: history.info
Previously, as we were moving on from the Matrix series, I said that the way to move forward would be to study Marx’s magnum opus, Capital. The reason I gave was that we had gotten to Marx through a few cherry-picked quotations, but that now we needed to have a systematic understanding of him.
(I also said that posts would be getting shorter, and this doesn’t seem to be the case for now.)
As time has passed, I’ve come to the conclusion that this is an insufficient reason. We should have a concrete reason to study Marx, we should have a problem to propel us through his very dense and complex system of concepts and theories. In my Beginnings post, I hint at why I like Marx and why I’ve decided to dedicate time to this blog, but it stays on the feelings level.
So let’s go to the reasons level.
I feel compelled to add a few words, now that this series is finished, because I know I’ve left some pretty big moments of the movies out of the analysis: How does Trinity “revive” Neo at the end of the first movie? How does Neo deactivate or overload the Sentinels in the real world at the end of the second movie? How, precisely, does Smith get “self-destructed” at the end of the third movie?
And there are others. To my knowledge, Marxian theory cannot explain these scenes and happenings; and this is a good thing. It’s a good thing because Marxists have often used Marx’s theory as an explanation for everything or as a foundation upon which to build a theory that explains everything.
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